Media / Recordings

ORATORIO / CONCERT WORK

Ode to Joy from Beethoven’s 9th Symphony (live in Hong Kong, 2019)
**pls click here & unmute at lower right-hand corner of video if needed**

Rejoice Greatly from Messiah -- Handel (live in NJ, 2018)

Bist du bei mir – Stölzel (attr. Bach, BWV 508) (live in NYC, 2016)

Jauchzet Gott from Cantata BWV51 -- Bach (live in San Francisco, 2018)

OPERA

Una voce poco fa from Il Barbiere di Siviglia – Rossini (live in Hong Kong, 2019)

Lascia ch’io pianga (excerpt) from Rinaldo – Handel (live in Hong Kong, 2019)
**pls click here & unmute at lower right-hand corner of video if needed**

Durch Zärtlichkeit und Schmeicheln from Die Entführung aus dem Serail – Mozart (live in Hong Kong, 2019) 

Gli sguardi trattieni from Orfeo ed Euridice – Gluck (live in NYC, 2012)

I am the wife of Mao Tse-tung from Nixon in China – Adams (rec. 2014)

ART SONG

Monteverdi’s Sì dolce è’l tormento (live in San Francisco, 2019)

Strauss’ Drei Lieder der Ophelia (live in San Francisco, 2018)

Purcell’s From Rosy Bowers (live in San Francisco, 2018)

Ravel’s Cinq Mélodies Populaires Grecques (live in San Francisco, 2018)

PREMIERES

Matt Boehler’s Parting Gifts, with text by Erin Bregman (live in San Francisco, 2018).  A woman sneaks into her ex’s apartment with her dog Sadie, to leave him some unforgettable parting gifts…

Peter Engelbert’s Maya’s Earthquakes, with text by Erin Bregman (sop. + violin) (live in San Francisco, 2018).  The neurotic Maya investigates the strange rumblings in her house, and she is both relieved and amused by her findings…
Movements begin @ 0:00 / 5:03 / 6:33 / 9:19 / 13:16 / 17:07 / 18:14

Kyle Hovatter’s In the Beginning Was the Bird (live in San Francisco, 2018)

Highlights from songs for sop. & cello, by Nick Benavides, Matt Boehler, Aaron Gervais, Bryan Lin, Colin Martin, Rita Zhang (live in San Francisco, 2017)

SPOKEN DIALOGUE

Purcell double bill -- Belinda (from Dido & Aeneas) greets Sir Thomas Betterton, leader of the troupe performing King Arthur for Queen Dido (written by William Remmers, live in NYC, 2016) 

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